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    <title>Harold Carr  04 2005</title>
    <link>http://www.haroldcarr.org</link>
    <description>Harold Carr</description>
    <language>en</language>

  <item>
    <title>Another Language/Worden Collage</title>
    <link>http://www.haroldcarr.org/2005/04/23#2005-04-23-AnotherLanguageWordenCollage</link>
    <description>
&lt;p&gt;Last weekend we attended the opening of the Adam Worden collage
exhibit at the Salt Lake Art Center.  Alex Caldiero performed poems he
composed to the images.  Alex and the collages got me to thinking
about the &lt;a href=&quot;http://anotherlanguage.org/interplay/&quot; target=&quot;_top&quot;&gt;Interplay&lt;/a&gt; series by  &lt;a href=&quot;http://anotherlanguage.org/&quot; target=&quot;_top&quot;&gt;Another Language&lt;/a&gt;.  They are creating real-time collaborative collages spanning art
forms, space and time.  I've taken the liberty to mix images from
Interplay and Worden to give some idea of how they are in the same
vein.  However, the Interplay images are only snapshots of a moving
moment instead of a finished image like Worden's.&lt;/p&gt;&lt;p&gt;Worden worked alone, collecting bits-n-pieces and putting them
together to form a finished work.  Another Language works in real-time
with musicians, actors, dancers, poets and technicians all over the
world to form multiple audio-visual streams.  A viewer can choose to
look at a particular stream or even watch one of the live performances
in their location.&lt;/p&gt;&lt;p&gt;With Worden we have a solitary viewer looking at a single image
containing multiple perspectives and material created by a solitary
artist.  With Another Language we have an audience choosing their
stream, each stream made up of the real-time creation of multiple
people/places/forms.  With Worden we have pieces of art we can
contemplate.  With Another Language we have images and recordings of
the streams, but the piece is essentially &quot;lost&quot; once the
performance is over.&lt;/p&gt;

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&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-AnotherLanguageInterplayWordenCollage/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-AnotherLanguageInterplayWordenCollage/thumbnails/anotherlanguagealex03.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-AnotherLanguageInterplayWordenCollage/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
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&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-AnotherLanguageInterplayWordenCollage/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-AnotherLanguageInterplayWordenCollage/thumbnails/wordenorbit25.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-AnotherLanguageInterplayWordenCollage/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
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  </item>
  <item>
    <title>Craig Crowther Poetry/Music Tribute</title>
    <link>http://www.haroldcarr.org/2005/04/20#2005-04-20-CraigCrowtherPoetryMusicMemorial</link>
    <description>
&lt;/div&gt;&lt;p&gt;Tonight we honored our friend &lt;a href=&quot;http://craigcrowther.org/&quot; target=&quot;_top&quot;&gt;Craig Crowther&lt;/a&gt; with music and poetry.&lt;/p&gt;&lt;div class=&quot;itemizedlist&quot;&gt;&lt;ul type=&quot;disc&quot;&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.limberlostpress.com/authors/anderson.htm&quot; target=&quot;_top&quot;&gt;Sandy Anderson&lt;/a&gt; opened the evening reading &lt;a href=&quot;http://craigcrowther.org/bio.html&quot; target=&quot;_top&quot;&gt;what we wrote&lt;/a&gt; for &lt;a href=&quot;http://www.slweekly.com/editorial/2003/edit_2003-10-16.cfm&quot; target=&quot;_top&quot;&gt;John Saltas&lt;/a&gt; of the &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-cityweekly.jpg&quot; target=&quot;_top&quot;&gt;Salt Lake City Weekly&lt;/a&gt; (and other papers).&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Next, &lt;a href=&quot;http://arts.utah.gov/ovations_8dec2003.html&quot; target=&quot;_top&quot;&gt;Hector Ahumada&lt;/a&gt; told a story he felt was apropos of Craig.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;The &lt;a href=&quot;http://cowdaddies.org/&quot; target=&quot;_top&quot;&gt;Cowdaddies&lt;/a&gt; (Kennard Machol, Rex Flinner and me) played &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Cucooz&lt;/em&gt;&lt;/span&gt; and &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Navajo Trail&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Sandy read poems relating to her long relationship
  with Craig as poet and publisher.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Harold read a &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-20-Tribute-JoseKnighton.txt&quot; target=&quot;_top&quot;&gt;message and poem&lt;/a&gt; from &lt;a href=&quot;http://www.moabhappenings.com/Archives/business0104.htm&quot; target=&quot;_top&quot;&gt;Jose Knighton&lt;/a&gt; who now lives in Portland, Oregon.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;The Cowdaddies did a couple more tunes: some unnamed Latin
 tune Kennard taught us the night before and &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Sally Gooden&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;I read some of &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2003-10-HaroldCarr-DeathInChile.txt&quot; target=&quot;_top&quot;&gt;what I wrote&lt;/a&gt; after I returned from Chile and found out Craig had died. 
   I lightened it up a bit with my &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/HaroldCarr-ScottsPass.txt&quot; target=&quot;_top&quot;&gt;&quot;trick-ta-piss&quot;&lt;/a&gt; that was one of Craig's favorites.
   I continued with a &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2004-10-HaroldCarr-UpperCalfCreek.txt&quot; target=&quot;_top&quot;&gt; poem &lt;/a&gt; I wrote a year after Craig died hiking the
   first trail I ever hiked with Craig.  Then I picked up my bass and did &lt;a href=&quot;http://www.rooknet.com/beatpage/writers/welch.html&quot; target=&quot;_top&quot;&gt;Lew Welch's&lt;/a&gt; &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/LewWelch-Graffiti.jpg&quot; target=&quot;_top&quot;&gt;Graffiti&lt;/a&gt; - a poem Craig would always make me do regardless
     of the setting.  Then I read a fun poem by Craig, &lt;a href=&quot;http://craigcrowther.org/poems/moabhasseenthelastofme1/moabhasseenthelastofme.txt&quot; target=&quot;_top&quot;&gt;&lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Moab Has Seen The Last Of Me&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;.
     I finished by reading one of our favorite poems (by Lew Welch),
     that we call &lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/LewWelch-RingOfBone.txt&quot; target=&quot;_top&quot;&gt;Ring of Bone&lt;/a&gt;.&lt;/p&gt;&lt;/li&gt;


&lt;li&gt;&lt;p&gt;Sandy read a message from Miriam Murphy and a
&lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-01-CraigCrowther-CharlesPotts.txt&quot;&gt;message&lt;/a&gt; from 
&lt;a href=&quot;http://www.thetemplebookstore.com/pottsbio.html&quot; target=&quot;_top&quot;&gt;Charles Potts&lt;/a&gt;.&lt;/p&gt;&lt;/li&gt;

&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://homepage.mac.com/swclow/&quot; target=&quot;_top&quot;&gt;Sherm Clow&lt;/a&gt;

read a funny and ironic

&lt;a href=&quot;http://craigcrowther.org/2005-04-20-tribute/2005-04-20-Tribute-ShermClow.txt&quot;&gt;poem&lt;/a&gt;

he wrote about finding out both he and
    Craig worked in the bowels of the Utah State capital.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;The Cowdaddies ended the evening with &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Home On The Range&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;p&gt;A great number of Craig's river buddies were there, as well
  as most of his family.  We all hung out and enjoyed each other's
  company.  Here are some photos.&lt;/p&gt;

&lt;p&gt;Update: The night of the tribute I dreamed of Craig.  Very simple.
      He was sitting on a couch smiling at me, singing a song.&lt;/p&gt;

&lt;!-- ----------- --&gt;

&lt;p&gt;

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&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/thumbnails/pict0078.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
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&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/thumbnails/pict0087.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
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&lt;td&gt;
&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/thumbnails/pict0101.jpg&quot;&gt;&lt;div class=&quot;caption&quot;&gt;&lt;a href=&quot;http://haroldcarr.org/photos/2005/04/2005-04-20-CraigCrowtherMusicPoetryMemorial/index.html&quot; target=&quot;_top&quot;&gt;more pictures...&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;/a&gt;
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  </item>
  <item>
    <title>The Tragic Sense of Life</title>
    <link>http://www.haroldcarr.org/2005/04/14#2005-04-14-TragicSenseOfLife</link>
    <description>
&lt;p&gt;&lt;div class=&quot;blockquote&quot;&gt;&lt;blockquote class=&quot;blockquote&quot;&gt;The movement
from a view of life as essentially simple and orderly to a view of
life as complex and ironic is what every individual passes through in
becoming mature.  ... Amid simplicity and order rationalism is born,
but rationalism proves inadequate in any period of upheaval.  Then
equilibrium must be created out of opposites.  Such inner peace as
[we] gain must represent a tension among contradictions... A feeling
for [dramatic] paradox allows seemingly dissimilar things to exists
side by side, their very incongruity suggesting a kind of
truth.&lt;/blockquote&gt;&lt;/div&gt;&lt;/p&gt;&lt;p&gt;Robert Venturi quoting August
Heckscher&lt;/p&gt;&lt;p&gt;We are surrounded by life but everything dies - thus
the irony.&lt;/p&gt;&lt;p&gt;We ourselves are alive and seem to escape death like
Odysseus under the ram, but our family, friends and we ourselves, die
- thus the tragic sense of life.&lt;/p&gt;&lt;p&gt;The trick is to turn this
tragic sense into a source of joy and wonder.  Into the infinite &lt;span
class=&quot;emphasis&quot;&gt;&lt;em&gt;now&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;


&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.org/blog/books/odysseusUnderRam.jpg&quot; target=&quot;_top&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.org/blog/books/odysseusUnderRam_sm.jpg&quot;&gt;&lt;/a&gt;&lt;/p&gt;</description>
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