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    <title>Harold Carr   </title>
    <link>http://www.haroldcarr.org</link>
    <description>Harold Carr</description>
    <language>en</language>

  <item>
    <title>Steiner's Sad Thought</title>
    <link>http://www.haroldcarr.org/2006/07/29#2006-07-26-steiners-sad-thought</link>
    <description>
&lt;h2 class=&quot;titleHead&quot;&gt;Ten (Possible) Reasons for the Sadness of Thought&lt;/h2&gt;
&lt;div class=&quot;author&quot; &gt;&lt;span 
class=&quot;cmr-12&quot;&gt;George Steiner&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;!--l. 12--&gt;&lt;p class=&quot;indent&quot;&gt;   My brother-in-law, Guillermo Antonio Cerviņo-Wood, recommended George Steiner&amp;#8217;s
&lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;Ten (Possible) Reasons for the Sadness of Thought&lt;/span&gt;. I found his essay of that title
(originally published in Salmagundi) &lt;a 
href=&quot;http://www.redorbit.com/news/display/?id=152264&quot; &gt;here&lt;/a&gt; and &lt;a 
href=&quot;http://laughingbone.blogspot.com/2005/07/george-steiner-ten-possible-reasons.html&quot; &gt;here&lt;/a&gt;.
&lt;/p&gt;&lt;!--l. 19--&gt;&lt;p class=&quot;indent&quot;&gt;   I can&amp;#8217;t say I like Steiner&amp;#8217;s writing. It seems unnecessarily convoluted. Plus, all
his points were made earlier by Bataille and Bataille&amp;#8217;s writing is &lt;span 
class=&quot;cmti-10x-x-109&quot;&gt;much &lt;/span&gt;better,
even in English translation. He even uses some of Bataille&amp;#8217;s phrases (e.g.,
&amp;#8220;sadness unto death,&amp;#8221; &amp;#8220;laid bare&amp;#8221;).
&lt;/p&gt;&lt;!--l. 25--&gt;&lt;p class=&quot;indent&quot;&gt;   But I did take the time to read and summarize the article.
&lt;/p&gt;
     &lt;ul class=&quot;itemize1&quot;&gt;
     &lt;li class=&quot;itemize&quot;&gt;Introduction
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;1 &amp;#8212; Infinite thought cannot think everything that exists.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;2 &amp;#8212; We can&amp;#8217;t control thought for long, and even if we could, it might
     be dangerous to our health.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;3 &amp;#8212; Thinking is private but common and repetitive.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;4 &amp;#8212; No absolute truth (language is inherently ambiguous).
                                                                     

                                                                     
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;5 &amp;#8212; Thinking is wasteful.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;6 &amp;#8212; You can&amp;#8217;t do everthing you think.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;7 &amp;#8212; Thought veils as much as it reveals.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;8 &amp;#8212; The veil makes it impossible to know what others are thinking.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;9 &amp;#8212; The fact that few are capable of great thought (&amp;#8220;creativity&amp;#8221;)
     conflicts with the ideal of social justice.
     &lt;/li&gt;
     &lt;li class=&quot;itemize&quot;&gt;10 &amp;#8212; We know (and try to escape) death.&lt;/li&gt;&lt;/ul&gt;

&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.org/books/2006-07-26-steiners-sad-thought.html?seemore=y&quot; class=&quot;seemore&quot;&gt;See more ...&lt;/a&gt;&lt;/p&gt;

</description>
  </item>
  <item>
    <title>The Tragic Sense of Life</title>
    <link>http://www.haroldcarr.org/2005/04/14#2005-04-14-TragicSenseOfLife</link>
    <description>
&lt;p&gt;&lt;div class=&quot;blockquote&quot;&gt;&lt;blockquote class=&quot;blockquote&quot;&gt;The movement
from a view of life as essentially simple and orderly to a view of
life as complex and ironic is what every individual passes through in
becoming mature.  ... Amid simplicity and order rationalism is born,
but rationalism proves inadequate in any period of upheaval.  Then
equilibrium must be created out of opposites.  Such inner peace as
[we] gain must represent a tension among contradictions... A feeling
for [dramatic] paradox allows seemingly dissimilar things to exists
side by side, their very incongruity suggesting a kind of
truth.&lt;/blockquote&gt;&lt;/div&gt;&lt;/p&gt;&lt;p&gt;Robert Venturi quoting August
Heckscher&lt;/p&gt;&lt;p&gt;We are surrounded by life but everything dies - thus
the irony.&lt;/p&gt;&lt;p&gt;We ourselves are alive and seem to escape death like
Odysseus under the ram, but our family, friends and we ourselves, die
- thus the tragic sense of life.&lt;/p&gt;&lt;p&gt;The trick is to turn this
tragic sense into a source of joy and wonder.  Into the infinite &lt;span
class=&quot;emphasis&quot;&gt;&lt;em&gt;now&lt;/em&gt;&lt;/span&gt;.&lt;/p&gt;


&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.org/blog/books/odysseusUnderRam.jpg&quot; target=&quot;_top&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.org/blog/books/odysseusUnderRam_sm.jpg&quot;&gt;&lt;/a&gt;&lt;/p&gt;</description>
  </item>
  <item>
    <title>With Ginsberg, Snyder, Weller and Sanders at the Great Salt Lake Book Festival</title>
    <link>http://www.haroldcarr.org/2004/09/20#2004-09-20-ginsbergSynderWellerSanders</link>
    <description>
&lt;p&gt;On Saturday I heard Thomas Cahill, Rebecca Solnit and Sam
Hamill speak at the Great Salt Lake Book Festival that took place at
city library.  On Sunday, Tony Weller and Ken Sanders had a &quot;rare
book roadshow&quot; at noon.  I almost decided not to go since I was still
laying in bed reading at 11:30am.  Even after I did get up and drive
down to the library I had to wait in my car for 15 minutes for a
thunderstorm to pass.&lt;/p&gt;&lt;p&gt;I brought my signed copy of Allen Ginsberg's &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Howl&lt;/em&gt;&lt;/span&gt; and my Totem Press/Corinth Books edition of Gary Snyder's &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Myths &amp;amp; Texts&lt;/em&gt;&lt;/span&gt;.  Ginsberg did a reading in the
Union Ballroom in February 1989 (with Steve Fletcher accompanying him
on guitar).  Later in the evening I was fortunate to sit with him at
the table of Anselm Hollo (now teaching at Naropa), who was living in
Salt Lake at the time.  Ginsberg signed my facsimile Harper &amp;amp; Row
edition of &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Howl&lt;/em&gt;&lt;/span&gt; &quot;for Harold Carr at Anselm Hollo's
table - Salt Lake 2/22/89&quot; - illustrating it with a Buddha, Skull and
Crossbones, sun, crescent moon and stars.  Tony and Ken valued it
between $300 and $500 dollars. &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Myths &amp;amp; Texts&lt;/em&gt;&lt;/span&gt;
was valued at between $40 and $200.  Of course, I've had these books
for a long time, especially &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Myths &amp;amp; Texts&lt;/em&gt;&lt;/span&gt; and I
didn't buy them for their future value - I obtained them for my
interest in the author's work - particularly &lt;span class=&quot;emphasis&quot;&gt;&lt;em&gt;Myths &amp;amp;
Texts&lt;/em&gt;&lt;/span&gt; - one of the seminal works in my poetry collection and in my
own poetry.&lt;/p&gt;&lt;p&gt;My mom called this morning to say the &lt;a href=&quot;http://www.sltrib.com/utah/ci_2418163&quot; target=&quot;_top&quot;&gt;Salt Lake Tribune has an article&lt;/a&gt; mentioning my books at the festival.&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://www.haroldcarr.org/blog/books/HowlSignature.jpg&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.org/blog/books/HowlSignature_sm.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;</description>
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  <item>
    <title>Pierre Joris points out poets</title>
    <link>http://www.haroldcarr.org/2004/08/05#2004-08-05-pierreJorisPointsOutPoets</link>
    <description>
&lt;p&gt;In his essay, &quot;Notes toward a Nomadic Poetics&quot; &lt;a href=&quot;http://www.albany.edu/~joris/&quot; target=&quot;_top&quot;&gt; Pierre&lt;/a&gt; &lt;a href=&quot;http://www.albany.edu/english/fac/joris.html&quot; target=&quot;_top&quot;&gt;Joris&lt;/a&gt; points out poets of interest:&lt;/p&gt;&lt;div class=&quot;itemizedlist&quot;&gt;&lt;ul type=&quot;disc&quot;&gt;&lt;li&gt;&lt;p&gt;Nataniel Mackey - foundational noise&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.novarina.com/&quot; target=&quot;_top&quot;&gt;Valere Novarina&lt;/a&gt; - theatre - ludic nomadology of names that dissolves character into a
 fluidity...&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://inside.bard.edu/~kelly/&quot; target=&quot;_top&quot;&gt;Robert Kelly&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.english.uiuc.edu/maps/poets/s_z/tolson/tolson.htm&quot; target=&quot;_top&quot;&gt;Melvin Tolson&lt;/a&gt; - bifacial multi-phasic poet&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.kateb-yacine.com/&quot; target=&quot;_top&quot;&gt;Kateb Yacine&lt;/a&gt; - multiple
  life-long text&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Jerome Rothenberg&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.albany.edu/english/fac/&quot; target=&quot;_top&quot;&gt;Don Byrd&lt;/a&gt; - leads us through the &quot;mesocosm - the dense locale of the common,
 that is absorbed by the exaggeration of symbolism, on the one hand,
 and by mere biology, on the other.&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Leslie Scalapino - reading ... so slow ... no content ... motion is a thing in itself&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Edouard Glissant - poetics of the diverse&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.soton.ac.uk/~bepc/poets/fisher.htm&quot; target=&quot;_top&quot;&gt;Allen Fisher&lt;/a&gt; -  investigation into all our knowledges - 
  the great serial constructive derive...&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Lynn Hejinian - border worker&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Michel Deguy - hospitality&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Abdelwahab Meddeb - allography&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.english.uiuc.edu/maps/poets/m_r/rukeyser/rukeyser.htm&quot; target=&quot;_top&quot;&gt;Muriel Rukeyser&lt;/a&gt; - life as necessarily political, as needing to
     be engaged at all levels&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Nicole Brossard - quest for and conquest of meaning&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.drunkenboat.com/db3/bernstein/bernstein.html&quot; target=&quot;_top&quot;&gt;Charles Berstein&lt;/a&gt;- invention is not a choice&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.nicolepeyrafitte.com/&quot; target=&quot;_top&quot;&gt;Nicole Peyrafitte&lt;/a&gt; - wild metonymic grammar of desire - no fictional single static point&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.shadoof.net/in/&quot; target=&quot;_top&quot;&gt;John Cayley&lt;/a&gt; - Indra's Net - cyberpoetics&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Jed Rasula&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Franco Beltrametti&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;&lt;a href=&quot;http://www.naropa.edu/faculty/hollo.html&quot; target=&quot;_top&quot;&gt;Anselm Hollo&lt;/a&gt; - writing nomadically in a language that is not his mother-tongue&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;/div&gt;&lt;p&gt;&quot;All language is found -- or given. Language does not belong
to us.  One does not own language or does not create language, one
is invited into it.&quot;&lt;/p&gt;&lt;p&gt;&lt;a href=&quot;http://www.albany.edu/~joris/&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.org/blog/books/pierreJoris.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;&lt;a href=&quot;http://www.nicolepeyrafitte.com/&quot; target=&quot;_top&quot;&gt;&lt;div class=&quot;mediaobject&quot;&gt;&lt;img src=&quot;http://www.haroldcarr.org/blog/books/nicolePeyrafitteNix3x.jpg&quot;&gt;&lt;/div&gt;&lt;/a&gt;&lt;/p&gt;</description>
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